![]() ![]() Love and Hate, the number (2), and number (5) of the list are most important to understand as we need these two emotions primarily to interact with the world, as per Sigmund Freud. Stimuli respond to this large consciousness, and that is emotions, which means emotions are the gateway to interact with the world.Īccording to Sigmund Freud, the reasons behind the flight or fight of human beings are the same. We are part and parcel of the larger conscious. He had remarked that there is a stream of consciousness flowing all around us. Heraclitus, living in Ephesus, Greece, around 530 to 470 BC, had once said that our existence is continuously flowing in the flux, and it is dynamic and fluid. There are basically seven drives:īasically, these are the seven drives with which we interact with the larger society. ![]() These drives are some emotional interactions or gameplay of hormones that help us to make relations with the larger society. While interacting with the society we are driven by some drives. Why is it important to understand the fine line between love and hate? This essay shall try to enumerate the fact that there is always a thin line between love and hate. We usually have come across this feeling that we may either like the person while hating him or her or vice versa. We are often in conflict, whether we love or hate a person. If we give a second thought to the same, then we shall understand that Love and Hate stand on the same plane. Love and Hate are two different emotions. A gush of emotions always pulls humankind. One of the most intriguing things about these two emotions is that there is always a thin line between love and hate. Love and hate are two essential stages of any relationship. Running time: 108 min.Human relationships pass through various stages in their lifetime. Reviewed at New Line screening room, Beverly Hills, March 28, 1996. Screenplay, Lawrence, Bentley Kyle Evans, Kenny Buford, Kim Bass, story by Lawrence.Ĭamera (Deluxe color), Francis Kenny editor, John Carter music, Roger Troutman production design, Simon Dobbin art direction, David Lazan set decoration, Tessa Posnansky costume design, Eduardo Castro sound (Dolby, SDDS), David Barr Yaffe, Robert Allan Wald associate producer, Peaches Davis assistant director, Don Wilkerson second-unit director, McHenry casting, Mary Gail Artz, Barbara Cohen. Co-producers, Suzanne Broderick, William Carraro, David Raynr. Produced by Doug McHenry, George Jackson. It also doesn’t help that Darnell makes an explicit reference to “Fatal Attraction,” given the obvious similarities of a one-night-stand gone bad.Ī New Line Cinema release of a Savoy Pictures presentation of a Jackson-McHenry production in association with You Go Boy! Prods. Not only is the script structurally weak, but Lawrence the director allows Lawrence the actor to mug shamelessly, which works when he’s playing broader comedic moments but not when he’s trying to establish Darnell as a romantic presence.Īs a result, Darnell isn’t terribly sympathetic, and virtually every beat of the film is telegraphed well in advance. Subtlety isn’t exactly Lawrence’s long suit, in fact, as a director, writer (with help from Bentley Kyle Evans, Kenny Buford and Kim Bass) or actor. Once Darnell has scored with Brandi, matters get out of hand quickly - not helped by the fact that Darnell is dumb enough to spend the night with someone else using Brandi’s limousine. With his friend Tee (singer Bobby Brown), he meets a provocative and wealthy woman, Brandi (Whitfield), who at first wants nothing to do with him.ĭarnell works overtime to woo the reluctant Brandi despite the return of a former flame, Mia (Regina King), to whom he also finds himself drawn. Lawrence plays Darnell, a self-professed ladies man who helps run a club called Chocolate City. The movie seems halfhearted, however, in its message about the dangers of infidelity and using “the ‘L’ word” insincerely, and the script moves so leisurely through the early going that even with a teaser sequence hinting that there’s trouble to come, it’s hard not to lose patience waiting to get there. ![]()
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